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Mir Sayid Bahrom Mausoleum

Situated in the heart of Karmana, near the mausoleum of Kasim Sheikh, the Mir Sayid Bahrom Mausoleum is a historical complex that includes a mausoleum and a small mosque. Constructed around 1200, the mausoleum underwent its last restoration in 1976.

Historians have little information about Mir Sayid Bahrom himself, except that he was a member of the Samanid dynasty. In 874, a rebellion erupted in Bukhara, spreading throughout Maveranahr and reaching Karmana. According to Abu Tahir Khwaja Samarkandi’s work “Samarqand,” Mir Sayid Bahrom was highly respected and influential, known for his knowledge, intellect, and ability to perform miracles.

The mausoleum is a unique structure, considered the smallest mausoleum in Uzbekistan. Its terracotta patterns, carved brick inserts, and geometric ornamentation (girikh) are particularly remarkable. Many find similarities between this mausoleum and the famous Samanid Mausoleum in Bukhara.

The building is square-shaped with a small dome and features a beautifully arched entrance portal framed with a rectangular frame bearing a Kufic inscription. The entire structure is adorned with exquisite geometric facades and laid with burnt brick.

Inside, a marble tomb is covered with gold stitching. The walls are octagonal with arches supporting a small dome. The arches retain beautiful terracotta inserts with smooth wooden ornaments.

Adjacent to the mausoleum is a mosque, surrounded by a long veranda with wooden columns carved with patterns. This part of the structure is a modern addition, with the courtyard and veranda floor paved with red bricks.

The Mir Sayid Bahrom Mausoleum is a monument of republican significance. Today, a garden surrounds the monument, where the people of Karmana celebrate festivals such as Navruz, Independence Day, and the Harvest Festival.

Built by the craftsmen and architects of its time, this architectural complex holds great historical and spiritual value. It is a testament to the rich history and cultural heritage of Uzbekistan, offering visitors a glimpse into the past and a place for contemplation and reflection.